How did musical legend Sun Ra come to play a solo concert in Roberts Hall on a Fender Rhodes electric piano borrowed from a Haverford student and memorialized in a new archival Bandcamp recording?
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The ninth annual festival celebrating film and media work by Haverford, Bryn Mawr, and Swarthmore students was live streamed on Facebook and YouTube for the first time.
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A new exhibit in the Cantor Fitzgerald Gallery explores the summer of 1976 in Philadelphia through a documentary created by the 2019 Summer Doculab Fellows.
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WE’RE SORRY THIS ITEM IS NO LONGER AVAILABLE, up through March 6 in VCAM, finds comedic value in a serious subject.
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A collection of creative work from 20 student artists was displayed in VCAM after an open-call search across campus.
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With two screenings and an exhibition planned for this semester, the ninth year of the Strange Truth series will examine themes of gender, justice, and historical memory across modern media.
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Earlier this month, poet Eileen Myles and Haverford’s Visiting Professor of English Thomas Devaney read their poems in Lutnick Library at a joint event.
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Students in six courses from across disciplines produced five exhibitions in VCAM and Lutnick Library expressing their learning through visual art.
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The exhibitions they created as part of their jobs in Lutnick Library, “Quaker and Special Collections Across Disciplines” and “The Life and Objects of Rufus Jones,” will be on display through the end of the semester.
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The Tri-Co dance troupe fuses classical Indian dance with folk, ballet, hip-hop, and jazz styles.
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The newest installation in the Cantor Fitzgerald Gallery is an interactive, campus-wide experience that reimagines traditional conceptions of thinking about institutional spaces.
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The exhibit in the Jane Lutnick Fine Arts Center features a selection of photographs recently acquired by the Haverford College Photo Collection.
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Founded in 2018, Haverford’s Step team isn’t afraid to be heard.
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The award connects the College’s Hurford Center for the Arts and Humanities, artist collective Slavs and Tatars, and Philadelphia nonprofits Twelve Gates Arts and the Council on American Islamic Relations for two years of planned artistic collaborations inspired by a 14th-century allegorical Uighur text.
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Unveiled at the Hurford Center and VCAM Fall Open House, the projects are meditations on everything from the bias embedded in technological programming to the digital nature of long-distance relationships.