During the end of the semester at Haverford, many musical groups, from the curricular to the extracurricular, showcase the breadth and depth of musical talent on campus.
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This course, which falls at the crossroads of English, visual studies, and comparative literature, explores the central role of film in imagining decolonization and desire as entangled narratives in the Third World.
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The biology major combined her passion for drawing comics and experience in science with an exhibition of autobiographical comics in the Marian E. Koshland Integrated Natural Sciences Center (KINSC).
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Students in Kimiko Suzuki’s “Advanced Japanese” course took their learning beyond the classroom by collaborating with Philadelphia artists to produce the dyed textiles on display in VCAM.
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A multimedia exhibition curated by three Haverford students in the VCAM builds on their summer work on oral history and public art.
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The Viceland executive producer, most known for his work on the docuseries “My House,” visited campus to discuss the show.
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Prototype, a Pittsburgh-based feminist maker collective, illuminated conversations about accessibility and identity in the Maker Arts Space during their visit to campus.
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A new exhibit, coordinated in collaboration with the Equal Justice Initiative and the Brooklyn Museum with support from Google, presents EJI’s groundbreaking research into the history of lynchings and connects it to digital media, documentary film, contemporary artworks, and archival materials.
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The Haverford Fine Arts Department recently unveiled a new photography exhibit featuring photographs of the late culinary icon.
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Ainsley Bruton ’21 explores identity and transformation through a portraiture series that features several of her Haverford classmates.
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From exploring Asian/American identities to the ethics of AI, this year’s two John B. Hurford ’60 Center for the Arts and Humanities student seminars are spurring interdisciplinary conversations about our world today.
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A recent party celebrated the relaunch of the College’s literary magazine as “Milkweed,” as well as the release of its spring 2018 issue.
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A Haverford alum, Gerber is widely regarded as a major influencer of the modern classical music scene. Thanks to summer work with the Haverford Libraries by Alice Berry BMC ’19, his compositions have been given new life online.
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This English course examines literary and artistic horror by black artists (including Charles Chestnutt, Gwendolyn Brooks, Victor LaValle, the Geto Boys, Childish Gambino, and Jordan Peele) as a way to explore racial identity and oppression.
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The most recent solo exhibit of Professor of Fine Arts Hee Sook Kim features canvases filled with motifs from Korean folk paintings and the spiritual expanse of New Mexican landscapes.