The John B. Hurford ’60 Center for the Arts and Humanities provides a place for inclusive and interdisciplinary programming by promoting collaborative engagement with the intellectual and artistic ambitions of Haverford College and broader communities.
An Alarming Specificity engages with human bodies which do not align with a fictional norm grounded in white patriarchal hegemony. Curated by Aubree Penney, the exhibition examines ways artists subvert the predominance of white, heterosexual, cis-male, non-disabled bodies as the default of humanity.
A forum addressing the topics of migrations, dislocations, and political disruption in contemporary Latin American literature.
With two screenings and an exhibition planned for this semester, the ninth year of the Strange Truth series will examine themes of gender, justice, and historical memory across modern media.
Strange Truth 2020 examines the relationship between the visual and structures of power by engaging with politics of race, gender, and identity. Showcasing the work of international filmmakers, artists, activists, and media scholars, this year’s series explores how documentary and expanded cinema practices make visible the role of images in complicating and (re)constructing complex narratives of history, memory, and time.
January 24 – March 6, 2020: The Bicentennial in Philadelphia laid bare some of the most pressing questions of America’s national identity. Five Haverford and Bryn Mawr College students collaborated with poet Thomas Devaney and Greenhouse Media to explore this surreal moment in history through an experimental documentary film. Bicentennial City continues that project as an interactive installation with multi-channel projections, sculptures, and Bicentennial ephemera, seeking to explore the many roles myth and memory play in the psyche of a city.
The newest installation in the Cantor Fitzgerald Gallery is an interactive, campus-wide experience that reimagines traditional conceptions of thinking about institutional spaces.