Because the group’s preparation for and performance of J. S. Bach’s “Dona nobis pacem” was done online, the Chorale was able to welcome alumni singers from around the world to participate.

A new Hurford Center program, born of the disruption of the pandemic, allowed a group of Fords to spend the summer learning about the arts and humanities’ evolving roles in our contemporary moment, with particular emphasis on digitization and combating structural racism.

Despite restrictions, the Bi-Co Orchestra has found new ways to practice, perform, and connect this semester.

As Big Homie, the sophomore begins to pursue his musical ambitions by releasing his first five-song EP.

The political science and music double major, who released her first single as Tendertwin during the pandemic, writes about her experience studying abroad at the onset of COVID-19 and what life is like on campus this semester.

Assistant Professor Erin Schoneveld’s seminar “Japanese Modernisms Across Media” overcame the obstacles of the COVID-19 pandemic to create <em>Romanticizing Japan: Contextualizing Japan through the Western Gaze</em>, which is on view through February 5, 2021.

The two Haverford music students developed their music composition skills this summer at Philly’s Young Women Composers Camp.

In this year’s DocuLab project, students created animations for the experimental documentary film Smile4Kime, directed by Elena Guzman.

The Cantor Fitzgerald Gallery kicks off its season with Ying Li’s series of 47 paintings depicting life and nature at Haverford amid the silence of the pandemic.

How did musical legend Sun Ra come to play a solo concert in Roberts Hall on a Fender Rhodes electric piano borrowed from a Haverford student and memorialized in a new archival Bandcamp recording?