Roy majored in social-cultural anthropology and minored in visual studies, concentrating on Latin American, Iberian, and Latinx studies. Post-graduation, he began his role as a Quaker Voluntary Service fellow at the Metrowest Worker Center – Casa del Trabajador, near Boston.
You are here
Visual Studies Minor

Visiting Senior Lecturer in Visual Studies Vicky Funari demonstrates how to record audio in the Intro to Documentary Video Production course. Photo: Patrick Montero.

Isabella Siegel '19 discusses one of the art works featured in Black Art + Politics, part of Assistant Professor Christina Knight's visual studies capstone seminar. Photo: Sarah Jennings '21.

Taylor Murphy '19 discusses one of the art works featured in Black Art + Politics, part of Assistant Professor Christina Knight's visual studies capstone seminar. Photo: Sarah Jennings '21.

Biodata Sonification Interactive Installation detail, 2018. Photo: Patrick Montero.

Co-producer Nicole Fernández Ferrer and filmmaker Callisto Mc Nulty speak after the showing of Delphine and Carole (Delphine et Carole, insomuses) as part of the Strange Truth film series. Photo by John Muse.

Visual Studies minor Joe Spir ’20 presents his work "便利-ing machine” in the “Art of the Anthropocene” exhibition, part of Assistant Professor Erin Schoneveld’s Visual Studies Capstone seminar.

Visual Studies minor Nichole Almanzar ’20 presents her work “Beliefs” in the “Art of the Anthropocene” exhibition, part of Assistant Professor Erin Schoneveld's Visual Studies Capstone seminar.
Integral to an evolving global world is a reliance on new and old visual modes from social media, photography, moving images and complex data sets, to illuminated manuscripts and hybrid art forms. The goal of the Interdisciplinary Visual Studies Minor is to create a dynamic model for critical and creative engagement with visual experience across media, time, and cultures.
News
-
-
September 8 - October 13, 2023 In Extra Medium | John Muse, the gallery is divided: in the front, clusters of framed collages, a vitrine of journals and smaller works, and a large video projection of cut and painted paper; in the back, a studio where Muse works for the duration of the exhibition on more video, more collages, and more journals. Curated by Homay King, the exhibition is accompanied by a broadsheet publication, a program of Muse’s short films, and interactive games featuring guest collaborators.