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A child sits in a wicker chair with a brightly colored check mark covering its face
Friday, September 8, 2017

Sadie Barnette DEAR 1968,…

Artist’s Talk & Opening Reception

Friday, September 8, 2017
Talk: 4:30 p.m., Reception: 5:30–7:30 p.m.
Cantor Fitzgerald Gallery

In Dear 1968,… artist Sadie Barnette mines personal and political histories using family photographs, recent drawings, and selections from the 500-page file that the FBI amassed after her father joined the Black Panther Party in 1968. Details »

Detail from The Living Room, 2017Custom wall vinyl, installation dimensions variable. © Sadie Barnette. Courtesy of the artist.

Inside of a cricket shed at Haverford College, 1901
Monday, August 14, 2017

Photographers of the Real

John G. Bullock, Maxfield Parrish, and George, Mary, and William Vaux: Photographers of the Real

Through October 8, 2017
Atrium Gallery, Marshall Fine Arts Center

This exhibition brings together important photographs, manuscripts, and related works by five artists from the late 19th–early 20th century. Four of them attended Haverford, and all were birthright Quakers, born in Greater Philadelphia and nurtured by the city’s culture and traditions. Details »

Cricket Shed, Haverford College [1901], Platinum print on paper; 6 x 8 in. (15.24 x 20.32 cm), Gift, Trina Vaux McCauley, December 2013 / HC14-5213.

Inside of a cricket shed at Haverford College, 1901
Monday, June 5, 2017

Photographers of the Real

John G. Bullock, Maxfield Parrish, and George, Mary, and William Vaux: Photographers of the Real

Through October 8, 2017
Atrium Gallery, Marshall Fine Arts Center

This exhibition brings together important photographs, manuscripts, and related works by five artists from the late 19th–early 20th century. Four of them attended Haverford, and all were birthright Quakers, born in Greater Philadelphia and nurtured by the city’s culture and traditions. Details »

Cricket Shed, Haverford College [1901], Platinum print on paper; 6 x 8 in. (15.24 x 20.32 cm), Gift, Trina Vaux McCauley, December 2013 / HC14-5213.

A photo of a man standing in front of an observatory
Tuesday, May 16, 2017

Expanding the Universe

Astronomy and the Telescope

Through July 28, 2017
Sharpless Gallery, Magill Library

Curated by Victor Medina Del Toro '17, Expanding the Universe problematizes the conventional wisdom of rapid scientific progress in astronomy after the creation of the telescope. Details »

Samuel Alsop, Jr., director of the observatory and professor of physics and astronomy, in front of the Haverford Observatory in 1878.

Lake Mead
Monday, April 24, 2017

Resistance After Nature

Closes April 28, 2017
Cantor Fitzgerald Gallery

Curated by Kendra Sullivan and Dylan Gauthier, Resistance After Nature tracks the practices of artists who imagine and construct alternative approaches to such entangled ecological, political, and economic issues as Indigenous sovereignty and water rights, the fossil economy, ocean acidification, and deforestation. Details »

Photo: "Lake Mead" by OakleyOriginals is Licensed under CC by 2.0

Warhol flower
Friday, April 21, 2017

Andy Warhol: The Pop Image Subverted

Through April 23, 2017
Atrium Gallery, Marshall Fine Arts Center

Fifteen prints will be on display from the College’s permanent collection, including eight from the Flowers series, seven Marilyn Monroes, a Grace Kelly tile, and a Brillo Soap Pad. These silkscreen prints are just some of the 26 Warhols in the College’s collection, and they are displayed together to provide insight into how the artist transformed pop culture images into Pop Art. Details »

Andy Warhol, Flowers, 1970. Screen print on paper, 36 x 36 in. (91.44 x 91.44 cm).

A photo of a man standing in front of an observatory
Tuesday, April 4, 2017

Expanding the Universe

Astronomy and the Telescope

Opening April 4, 2017
4:30 p.m.
Sharpless Gallery & Magill Library

Curated by Victor Medina Del Toro '17, Expanding the Universe problematizes the conventional wisdom of rapid scientific progress in astronomy after the creation of the telescope. Details »

Samuel Alsop, Jr., director of the observatory and professor of physics and astronomy, in front of the Haverford Observatory in 1878.

Lake Mead
Saturday, March 18, 2017

Resistance After Nature

Through April 28, 2017
Cantor Fitzgerald Gallery

Curated by Kendra Sullivan and Dylan Gauthier, Resistance After Nature tracks the practices of artists who imagine and construct alternative approaches to such entangled ecological, political, and economic issues as Indigenous sovereignty and water rights, the fossil economy, ocean acidification, and deforestation. Details »

Photo: "Lake Mead" by OakleyOriginals is Licensed under CC by 2.0

Lake Mead
Friday, March 17, 2017

Resistance After Nature

Opening Talk & Reception

Friday, March 17, 2017
4:30—7:30 p.m.
Cantor Fitzgerald Gallery

Curated by Kendra Sullivan and Dylan Gauthier, Resistance After Nature tracks the practices of artists who imagine and construct alternative approaches to such entangled ecological, political, and economic issues as Indigenous sovereignty and water rights, the fossil economy, ocean acidification, and deforestation. Details »

Photo: "Lake Mead" by OakleyOriginals is Licensed under CC by 2.0

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