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Futureproof Exhibit logo and graphic
Thursday, October 26, 2017

Futureproof

Artist’s Talk & Opening Reception

Friday, October 27, 2017
Talk: 4:30 p.m., Reception: 5:30–7:30 p.m.
Cantor Fitzgerald Gallery

The artists in Futureproof engage with the many malleable interpretations of futureproofing, drawing from both the legacy of military and corporate scenario planning and the use of semi-fictionalized artifacts or archives as "proof," or evidence, of alternate timelines or futures yet to come. Details »

Futureproof runs through December 17, 2017 in the Cantor Fitzgerald Gallery and is supported by the the John B. Hurford ’60 Center for the Arts and Humanities.

Drawing of Penn and native Americans meeting under the Penn Treaty Elm
Monday, October 16, 2017

Where is the Penn Treaty Elm?

Through December 1, 2017
Magill Library Lobby

This exhibit—co-curated by Paul M. Farber and Eleanor Morgan ‘20 and featuring contributions from the students of the spring 2017 course "Public History"—explores the many potential answers to the question “Where is the Penn Treaty Elm?” Details »

John Boydell (1719-1804), William Penn's Treaty with the Indians, When He Founded the Province of Pennsylvania in North America 1681.

Grecian vase
Monday, September 25, 2017

Tales of Troy

Through October 30, 2017
Alcove Gallery, Magill Library

In collaboration with Associate Professor of Classics Bret Mulligan's Tales of Troy class, this exhibit features Greek vases and modern prints. Details »

Attic Black-figure Lekythos, Unknown Artist, ca. 515 BCE-510 BCE.

Inside of a cricket shed at Haverford College, 1901
Thursday, September 21, 2017

Photographers of the Real

John G. Bullock, Maxfield Parrish, and George, Mary, and William Vaux: Photographers of the Real

Through October 8, 2017
Atrium Gallery, Marshall Fine Arts Center

This exhibition brings together important photographs, manuscripts, and related works by five artists from the late 19th–early 20th century. Four of them attended Haverford, and all were birthright Quakers, born in Greater Philadelphia and nurtured by the city’s culture and traditions. Details »

Cricket Shed, Haverford College [1901], Platinum print on paper; 6 x 8 in. (15.24 x 20.32 cm), Gift, Trina Vaux McCauley, December 2013 / HC14-5213.

A child sits in a wicker chair with a brightly colored check mark covering its face
Saturday, September 9, 2017

Sadie Barnette DEAR 1968,…

Through October 13, 2017
Cantor Fitzgerald Gallery

In Dear 1968,… artist Sadie Barnette mines personal and political histories using family photographs, recent drawings, and selections from the 500-page file that the FBI amassed after her father joined the Black Panther Party in 1968. Details »

Detail from The Living Room, 2017Custom wall vinyl, installation dimensions variable. © Sadie Barnette. Courtesy of the artist.

A child sits in a wicker chair with a brightly colored check mark covering its face
Friday, September 8, 2017

Sadie Barnette DEAR 1968,…

Artist’s Talk & Opening Reception

Friday, September 8, 2017
Talk: 4:30 p.m., Reception: 5:30–7:30 p.m.
Cantor Fitzgerald Gallery

In Dear 1968,… artist Sadie Barnette mines personal and political histories using family photographs, recent drawings, and selections from the 500-page file that the FBI amassed after her father joined the Black Panther Party in 1968. Details »

Detail from The Living Room, 2017Custom wall vinyl, installation dimensions variable. © Sadie Barnette. Courtesy of the artist.

Inside of a cricket shed at Haverford College, 1901
Monday, August 14, 2017

Photographers of the Real

John G. Bullock, Maxfield Parrish, and George, Mary, and William Vaux: Photographers of the Real

Through October 8, 2017
Atrium Gallery, Marshall Fine Arts Center

This exhibition brings together important photographs, manuscripts, and related works by five artists from the late 19th–early 20th century. Four of them attended Haverford, and all were birthright Quakers, born in Greater Philadelphia and nurtured by the city’s culture and traditions. Details »

Cricket Shed, Haverford College [1901], Platinum print on paper; 6 x 8 in. (15.24 x 20.32 cm), Gift, Trina Vaux McCauley, December 2013 / HC14-5213.

Inside of a cricket shed at Haverford College, 1901
Monday, June 5, 2017

Photographers of the Real

John G. Bullock, Maxfield Parrish, and George, Mary, and William Vaux: Photographers of the Real

Through October 8, 2017
Atrium Gallery, Marshall Fine Arts Center

This exhibition brings together important photographs, manuscripts, and related works by five artists from the late 19th–early 20th century. Four of them attended Haverford, and all were birthright Quakers, born in Greater Philadelphia and nurtured by the city’s culture and traditions. Details »

Cricket Shed, Haverford College [1901], Platinum print on paper; 6 x 8 in. (15.24 x 20.32 cm), Gift, Trina Vaux McCauley, December 2013 / HC14-5213.

A photo of a man standing in front of an observatory
Tuesday, May 16, 2017

Expanding the Universe

Astronomy and the Telescope

Through July 28, 2017
Sharpless Gallery, Magill Library

Curated by Victor Medina Del Toro '17, Expanding the Universe problematizes the conventional wisdom of rapid scientific progress in astronomy after the creation of the telescope. Details »

Samuel Alsop, Jr., director of the observatory and professor of physics and astronomy, in front of the Haverford Observatory in 1878.

Lake Mead
Monday, April 24, 2017

Resistance After Nature

Closes April 28, 2017
Cantor Fitzgerald Gallery

Curated by Kendra Sullivan and Dylan Gauthier, Resistance After Nature tracks the practices of artists who imagine and construct alternative approaches to such entangled ecological, political, and economic issues as Indigenous sovereignty and water rights, the fossil economy, ocean acidification, and deforestation. Details »

Photo: "Lake Mead" by OakleyOriginals is Licensed under CC by 2.0

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