INSTEAD OF CONCLUSION
This essay is a walk through the past of the nicest 16th century mosque not only in Bosnia and Herzegovina, but also in the entire region of the former Yugoslavia. The aesthetic value of the complex of the Aladza mosque was of high order in many senses. The harmony of the murals and architectural sculpture which were composed of Ummayad, Seljuk, Ottoman, Persian and even Chinese stylistic decorative elements and painted in expressive colors, made the Aladza mosque unique. Its harmonic proportion and green environment gave to the mosque an additional beauty which every visitor and friend of art enjoyed and deeply respected. Thus, the Aladza mosque got its place in the travel reports and scientific studies of its adorers starting with the Italian traveler, Paolo Contarini, in 1580 until the Serbian scholar, Andrej Andrejevic, in 1984.

An attentive reader of this essay probably noted that I wrote whole essay in past tense. And I did it with a reason. The Aladza mosque can be visited now only in history, imagination, and scientific and literatary works. At the very beginning of the recent war in Bosnia and Herzegovina, the mosque was undermined and completely destroyed by Serbian Fascists. All of the material from which the mosque and the other monuments in its court-yard were built, was thrown into the nearby river. On the place where the Colorful mosque once was, there is now a bus-station.

MOSQUES
MESJIDS
SCHOOLS


.. And this is what they left behind..