
Being
Tom Tritton
Haverford's 12th president will leave the institution at a high point.
Here is an examination of his many accomplishments as a leader, educator,
and fund-raiser.
by Kathryn Levy Feldman P'09
Building
for the Arts
As Haverford focuses on its art program, we look at some peer institutions
and how arts facilities are integrated successfully in a liberal arts
setting.
by Edgar Allen Beem
Light Falls on
Haverford
The striking imagery of photographer Tom Porett, who has been walking
the campus with camera since 1975.
Letters
to the Editor
Main Lines
Reviews
Alumni Profile
Ford Games
Faculty Profile
Moved to Speak
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Tom's iPod
A few years back I wrote in this space about
my reading habits, describing books, journals, and magazines that had
recently occupied my attention. This may have been the most popular
piece I ever penned for the Haverford Alumni Magazine, at least judging
by the number of people who wrote to me about how much they enjoyed
it (and, parenthetically, I should add that one of the most gracious
aspects of the Haverford community is that those who don’t particularly
like my writings usually keep it to themselves). My desire to revisit
that form helps me to understand the unending replications of popular
movies (Rocky V, Halloween VII etc.) so I was tempted to write the 2006
version of what inhabits my reading shelf. Wary of repetition, though,
I decided to go high tech and offer instead what fills the flash memory
of my iPod.
First, should there be any in Haverford land who aren’t familiar
with contemporary lingo…an iPod is a small hand-held device made
by Apple that holds enormously large collections of music for playback,
usually through personal earphones. The technology has been around for
several years, but I resisted acquiring one until a few months ago.
This techno reticence was because I smugly convinced myself that I prefer
live music or recordings with traditional loudspeakers, rather than
the tiny earbuds that I imagined couldn’t possibly reproduce music
faithfully and with emotional power. This turns out to be largely incorrect
but, truth be told, I succumbed when Apple came out with the iPod Nano,
the smallest, lightest, and coolest music player imaginable. I concluded
that purchasing one would raise my hipster status in the eyes of my
youngest daughter, Christi, no doubt a sign of middle-aged futility.
The first thing you do when you get an iPod is to fill it with your
favorite music. If you have a large collection of CDs, the choice of
what to “burn” into your iPod is an exercise in both musical
taste and personal psychology. The Nano holds about 1,000 songs which,
while sounding capacious, is quickly exceeded, so choices have to be
made about what to favor. I turned first to an 8 CD collection of folk
music because it connects to the era of the ’60s and the styles
remind me of my own high school and college days. This includes legendary
artists like Bob Dylan and Pete Seeger, and old standard tunes like
“Where Have All the Flowers Gone” and “Blowin’
in the Wind.” Easy to dreamily reminisce with this stuff.
I next loaded favorites from the two genres I listen to most: classical
and jazz. Among the former are The Brandenburg Concertos because Bach,
especially in these pieces, is outrageously exuberant and athletic,
and a perfect accompaniment to my morning running rituals. There is
also Tchaikovsky’s Sixth Symphony (Pathetique) which is likely
my all-time favorite piece of symphonic music. The third movement (allegro
molto vivace) in particular never fails to move my soul, and I often
turn to it when I need inspiration. I also am quite fond of the piano
(and plan to improve my rudimentary skills in that mythical “someday”
when I have time to practice) so I have copious pianistic performances
currently in
residence on my iPod: Scarlatti’s keyboard sonatas, originally
of course for harpsichord, but I love the piano renditions; several
Beethoven sonatas, including my favorites Moonlight and Hammerklavier;
a collection of Mozart sonatas played by Mitsuko Uchida, who possesses
tremendous expressive power on the instrument; various works by the
massively impressive Vladimir Horowitz; and Shostakovich’s 24
Preludes and Fugues performed by Keith Jarrett.
Speaking of Keith Jarrett, he also is a jazz pianist and I couldn’t
exist without his legendary Köln Concert, filled with communicative
music, and at least as many moans as Glenn Gould at his best. My tastes
in jazz are quite eclectic and the current iPod lineup includes Art
Tatum (surely one of the greatest virtuosos who ever graced our earth);
Duke Ellington (duh, who doesn’t love Ellington); Gato Barbieri
(an Argentinian tenor saxophonist who favors languid, yet fiery, melodies);
Joshua Redman (Harvard educated, as
evidenced by the powerfully intellectual style of his music); and a
choice collection of greats like John Coltrane, Miles Davis, and Dizzy
Gillespie. Improvised jazz, with its uniquely American origins, shows
human beings at their creative and unpredictable best, and is always
capable of roughing up my deepest emotions.
I change the iPod music lineup regularly, but the typical breakdown
is 60% classical, 30% jazz, and 10% folk/rock. I’m sure these
statistics offer something deeply revealing about my character, but
darned if I know what it is. I do, though, agree with Friedrich Wilhelm
Nietzsche’s assertion that, “without music, life would be
a mistake.”
I soon learned that music is not the only use for an iPod. There are
also podcasts, generally taken to mean programs that can be downloaded
and treated like radio or TV talk shows, except portable and able to
be heard at any time. There are thousands of these available, and one
can even “subscribe” to favorites so as not to miss any
new shows. I’ve gradually come to listen at least as much to podcasts
as to music during my morning runs, and favor current events, science,
and culture as my most frequently visited subjects. The best in my view
is Democracy Now with Amy Goodman, a daily hourlong discussion of contemporary
national and international politics by experts (often academics) who
aren’t as favored by the cable news punditocracy. I also like
NOW, a PBS listing that offers better than the conventional perspective
on the great topics of our time. For science, my top two choices are
Science Talk from Scientific American (and containing the wonderfully
entertaining “Totally Bogus” spoof on pseudoscience); and
Nature Podcast from the scientific journal of the same name. This latter
favors discussions with the authors of current scholarly papers, affording
me a way to keep up with literature I may not actually find time to
read. I also like the Photoshop TV weekly discussion of digital photography.
Although this is probably better as a video podcast, I am enough of
a Photoshop aficionado to usually learn useful new tips and tricks just
by listening and using my imagination.
Disclaimer: I don’t own stock in Apple. Nonetheless, possessing
an iPod opens such a wonderful world of music and ideas that I recommend
it to everyone, even those of technological aversion. The little gadget
provides a useful alternative to television, and serves to lessen the
pain of the necessary daily exercise regimen.
Coming attractions: Over the next year—my last as Haverford’s
president—I will be visiting as many alums as possible. I also
will be using this space to write about the future of higher education,
this College, and the universe in general. Perhaps a podcast in the
making?
-Tom Tritton
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