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OVERSEAS OVATION: CHAMBER SINGERS OF HAVERFORD AND BRYN MAWR MOVED,
INSPIRED BY TRIP TO GHANA
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| John
Bower '07 with child dancer at Assin Kushea gathering |
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The Chamber Singers of Haverford and
Bryn Mawr Colleges—under the direction of Associate Professor
of Music Thomas Lloyd—are a well-traveled group; they’ve
been to Poland, Puerto Rico, Costa Rica, and Venezuela. This year,
they participated in their fifth international inter-cultural exchange
during winter break, traveling to Ghana Jan. 13-23 for a series
of performances with local Ghanaian choirs.
In addition to Lloyd and the 27 bi-co student members of the choir,
the trip included eight other students and four other faculty and
staff: Haverford Associate Professor of Religion and Africana Studies
Tracey Hucks; Bryn Mawr Associate Professor of History and Africana
Studies Kalala Ngalamulume; Haverford Dean of Multicultural Affairs
and International Students Sunni Green Tolbert; and Program Director
of the Office of Multicultural Affairs and International Students
(OMAIS) Samantha Ivery. The group’s travels were supported
by grants from Bryn Mawr College, the Haverford Center for Peace
and Global Citizenship, OMAIS, the bi-college choral program, the
offices of Haverford’s provost and president, the John B.
Hurford ’60 Humanities Center, and the bi-college Africana
Studies program.
The Chamber Singers performed three public concerts with five different
Ghanaian choirs. In each three-hour show, the group sang eight songs
in African languages with their host choirs, and always ended with
what appeared to be the traditional Ghanaian singing of the “Hallelujah
Chorus” from Handel’s Messiah. After this,
says Lloyd, “the drummers and keyboard players would break
into Ghanaian ‘high-life’ dance music for another half-hour
or so of dancing among the performers and audience members.”
One memorable trip highlight was the group’s opportunity to
meet Chief Nana Prah Agyensam II from the Assin Kushea Traditional
Area, at an event arranged by Juliana Imbeah-Ampiah, mother of Ronke
Imbeah-Ampiah BMC ’06. During a special ceremony, the students
shook hands with the community elders and witnessed the entrance
of the Chief (“Nana”) on a ceremonial stretcher (usually
called a palanquin) carried by the king’s attendants in traditional
dress and flanked by ministers wearing Kente cloth robes with gold
ornaments. Once the Nana had been seated on his royal “stool,”
the students were invited to greet him one by one as dictated by
protocol.
The Chamber Singers performed several songs for the gathered crowd,
processing in to “Dinpa sen ahonya,” a song in the Asante
language of Twi which means “A good name is better than riches,”
and ending with “Stan’ Still Jordan,” an original
arrangement by Lloyd combining an African-American spiritual with
a traditional Ewe ceremonial song.
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| Faculty
and staff tour leaders with
Professor Manuh of Legon University. |
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At a dinner following the ceremony,
the Nana welcomed the group and informed them that his nephew, Richard
Jonah ’98, had graduated from Haverford. “He felt the
students had made a very strong and positive impression on the children
in attendance about the importance of education,” says Lloyd.
Undoubtedly the most moving parts of the trip were visits to the
final bath-houses of the slaves on a riverbank outside of Cape Coast
and to the slave castles of Elmina. “Experienced guides and
our trusted Africana faculty members helped the students absorb
in a more personal way than ever a sense of the terrible price paid
by 60 million African people over more than four centuries of the
trans-Atlantic slave trade,” says Lloyd. “As faculty,
we were so moved by how this representatively quite diverse group
of students managed to offer each other both support and personal
space through an intense experience that affected all of them deeply,
but in different ways.”
“Never in my life have I ever felt as intrigued and affected
by my black heritage as I was at Elmina Castle,” says John
Bower ’07. “The whole experience made me question so
much about myself, my family background, and how I see myself as
an American.”
The tour ended on a high note, with a concluding concert in the
capital city of Accra. American Ambassador to Ghana Pamela Bridgewater
and French Ambassador Pierre Jacquemot were in attendance, celebrating
the 50th anniversary of Ghana’s independence. The Chamber
Singers also dined with 20 students from University of Ghana, Legon,
and Professor of African History Takyimaa Manuh, who had given the
students a lecture on Ghanaian history and culture earlier that
week. The Ghanaian students, says Kate Tomascovic BMC ’09,
were surprised when they learned that “the majority of Americans
can only speak one language and that our school system did not talk
about the history of many African countries. They thought it was
unfair that they knew more about their own history and
our history than we did.”
The Ghanaian students were affected by the group’s positive
and perceptive impressions of their home country, says Lloyd. “One
Legon student pleaded, ‘I don’t know what plans you
have, but don’t keep this experience to yourself! Say something
positive about Africa to counter all the negative images people
in the West see.’”
Since returning to campus, the students have found numerous opportunities
to share their experiences. Many have enrolled in Africana studies
classes, such as Tracey Hucks’ “Slavery, Catechism,
and Plantation Missions in Antebellum America” and Kalala
Ngalamulume’s “Urbanization in Africa.” Two students
presented a slide show for Haverford’s recent Alumni of Color
Weekend final dinner. And on Friday, March 23 at 4:30 p.m. in Aelwyd
House on Cambrian Row at Bryn Mawr, and Friday, April 13 at 4:30
p.m. in the Union Music Building at Haverford, the whole tour group
will share their experiences through slides, video clips, discussion,
and a live performance by the Chamber Singers.
As a result of this journey, Joel Kwabi ’07, a resident of
Tema, Ghana, realized that his own knowledge of his home country
isn’t as broad as he’d like it to be, and plans on further
travel and exploration throughout his birthplace. Also, “I
have come to a better understanding of the state of the African
race in the diaspora,” he says. “There’s so much
reading that I need to do and I am on a personal mission to keep
in dialogue with the people on the trip about this issue.”
For additional photographs and accounts of the tour, see http://www.haverford.edu/musc/choral/csingers/cshome.html.
— Brenna McBride
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