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GETTY
GRANT FUNDS STUDY OF HAVERFORD'S ARCHITECTURE
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The Getty Exhibit in Magill Library
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Haverford College announced today that
it will be opening an exhibit on the architectural history of the
College. The exhibit will run from April 15th through October 7,
2005, in Haverford College's Magill Library. The three-year Getty
Campus Heritage Project was funded by a $170,000 grant from the
Getty Foundation. Haverford College is the oldest institution of
higher education with Quaker roots, and has what many consider to
be the largest array of Quaker architecture in the United States,
including Haverford's administration building, Founders Hall, which
was built in 1833, and is considered one of the finest examples
of Quaker academic architecture.
The Getty grant enabled Haverford to hire a team of
architectural historians and preservationists to perform an extensive
survey of the architectural and landscape history of the College,
and to restore some of Haverford's principal buildings to their
historic colors.
"Haverford's Getty Campus Heritage Project has
provided the College with significant data on the historical finishes
of the buildings examined, and enables Haverford to restore the
original appearance of buildings that are historically unique and
represent important historic landscapes," says John Diaz, Associate
Director of Facilities Management at Haverford College. "The
project also provides guideposts for future campus construction."
The exhibit consists of five large-scale narrative/pictorial
panels made up of illustrations, maps, and text that depict the
overall project and the following four phases of campus development
and the changing Quaker aesthetic:
* Farm village school (1835-1855), with an old order
Quaker landscape, designed to keep students within the orbit of
Quaker values which had become largely rural and separate from the
changing urban environment. Most buildings were sand-colored.
* Victorian college campus (1860s-1890s), marked by
a Quaker reconnection to the larger world, and hiring architects
of different faiths and bringing new historical styles and orders
to campus. Brightly hued and contrasting buildings.
* Turn of the century (1895-1954), new colonial identity,
with national architects working on campus in largely unified style
of colonial revival stone and wood trim with unified color.
* Modern Haverford College (1954-2004), modern but
controlled within the campus scheme with unified color scheme throughout
campus.
"The survey reveals how much the choice of building
and landscape design, materials and paint reflects the way an institution
perceives and portrays itself internally and externally," says
Haverford President Thomas Tritton. "The image and experience
of a college campus sends many cultural cues as to the personality
and identity of the institution. The changing design of Haverford's
campus reflects the historical push and pull between its view of
itself as a place that provides a safe haven for its community,
and one that sees itself as an engaged participant in the events
of the world. This research provides a critical thread in the evolving
planning discussion that will help shape the future of Haverford
College."
Historic preservation consultants involved in the
project include Chris Frey of Noble Preservation Services, who did
the technical analysis for the project, and George Thomas and Susan
Nigra Snyder of CivicVisions LP, who worked with Diana Peterson,
Haverford's Special Collections Archivist, to develop the large-scale
narrative panels.
Since 2002 the Getty has given more than $7 million
to nearly 50 colleges and universities across the nation to preserve
historic buildings, sites, and landscapes.
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