Renaissance Recordings in Haverford's Music Library
On Handel's Orlando:
Jonathan Armour: "Orlando Grooves"
Greg Dobler: Dorinda's Arioso and Aria and Medoro's Aria
On Bach's Jesu, der du meine Seele
[Use with Haverford College CD 560, v. 20]
Joe Callahan: The Duetto from Bach's 78th Cantata
Joanna Herrero"The Chaconne and Bach's Cantata 78"
Kimberly Overtree: "Music as Clay"
Ted Van Berg
Joyce Kelley: "The Overlooked Richness of the Recitatives of Bach's Cantata 78"
Keiko T. Thomforde: Unity in Bach's Cantata No. 78
Andreas Voellmy: "Peculiarities in the second movement of J.S. Bach's Cantata no. 78"
Special Topics
Alexej Steinhardt: "Laboratory Ears"
Nick Vaccaro: Unity and Symmetry in Bach's Cantata Ein Feste Burg
Motets and Chansons of the Middle Ages and Renaissance Johnathan Armour: Vitry's VOS QUID ADMIRAMINI / GRATISSIMA VIRGINIS SPECIES
Greg Dobler: Ockeghem's Prenez sur moi
Joanna Herrero: Loyset Compère's Ave Maria
Joyce Kelley: Dufay's Piece for Peace: an Ironic Battle Between Structure and Word
Kim Overtree: A Prayer Motet by Loyset Compère
Alexej Steinhardt: Vitry's In Nova Fert
Keiko T. Thomforde: Courtly Love and Rondeau Form
Andreas Voellmy: Dufay's Synthesis of Ars Nova and Renaissance Techniques in Nuper Rosarum Flores
Nicholas Vaccaro Compère's Omnium bonorum plena Motet
Joe Callahan: Superimposition: a Common Practice Analysis of "Le souvenir"