Haverford
College/Bryn Mawr College/German Department
Course Offerings 2003-2004
H00103 Elementary German Pavsek, C. MWF 9:30-10:30 B00101 Elementary German Kenosian, D. MTWTHF 9:00-10:00 B00102 Elementary German Kenosian, D. MTWTHF 11:00-12:00 B10101 Intermediate German Meyer, I. MWF 11:00-12:00 B10102 Intermediate German Kenosian, D. MWF 12:00-1:00 H10103 Intermediate German Schoenherr, U. MWF 10:30-11:30
One Additional Hours TBA
Enrollment limited to 18 Students
TTh 9:00-10
Two Additional Hours TBA
Enrollment Limited to 18 Students
Two Additional Hours TBA
Enrollment Limited to 18 Students
Literature and Cultural Studies Courses
Fall 2003
H20102 Advanced Training Schoenherr, U. MW 12:30-2 H 262 01 Film Before World War II Pavsek, C. TTh 1:00-2:30 H 32001 Sex-Crime-Madness: The Birth of Modernism and the Aesthetics of
Transgression Schoenherr, U. T 1:00-4:00 B32101 Gender in German Literature and Film Meyer, I. M 2:00-4:30 H399 Senior Conference Schoenherr, U. TBA
Language, Text, Context
This course is intended for students who wish to refine their speaking,
writing, and reading skills beyond the Intermediate level. Designed
as a comprehensive introduction to modern German culture, we will discuss
a variety of literary, political, and philosophical texts, including
feature films and video materials. In addition, students have the opportunity
to enrich the curriculum, by giving class reports on current events
of their choice. A list of interesting web-sites on the internet will
be provided at the beginning of the semester (Deutsche Welle-Tv, newspapers,
magazines etc.). Weekly grammar reviews will complement these activities.
Whereas in premodern societies art primarily functioned as the sym-bolic
representation of religious and political power, with the emergence
of modern society around 1800 it was gradually released from these heteronomous
roles and achieved aesthetic freedom and autonomy. The eman-cipation
from rule-bound poetics, didactic, and moral constraints led to a redefinition
of literature, for which the classic/classicist triad of the true, the
good, and the beautiful was no longer valid. The successful separation
from extra-aesthetic determinants opened up new representational possibilities,
in which the beautiful became boring and the "ugly" became
interesting. Focusing on major literary figures from Goethe to Brecht,
the seminar will examine the 'paradigm shift' towards a modern aesthetics
of transgression in which social, racial, and sexual deviancy take center
stage. Readings will include prose texts and plays by Goethe, Kleist,
E.T.A. Hoffmann, Gotthelf, Wedekind, Schnitzler, Mann, Kafka, and Brecht.
Language Courses at
Haverford (H) and Bryn Mawr (B)
Spring 2004
H00203 Elementary German Pavsek, C. MWF 9:30-10:30 B00201 Elementary German Kenosian, D. MTWThF 9:00-10:00 B00202 Elementary German Kenosian,D. MTWTHF 11:00-12:00 H10203 Intermediate German Schoenherr, U. MWF 10:30-11:30 B10201 Intermediate German Staff MWF 11:00-12:00 B10202 Intermediate German Staff MWF 12:00-1:00
One Additional Hour TBA
Emrollment Limited to 18 Students
TTh 9:00-10:00
Two Additional Hours TBA
Emrollment Limited to 18 Students
Two Additional Hours TBA
Emrollment Limited to 18 Students
Advanced Training Meyer, I. MW 11:00-12:30 Senior Conference Schoenherr,U TBA
B20201
Language, Text, Context
H21202
20th Century German Culture
Pavsek, C.
TTh 1:00-2:30
B22401
German Cinema After World War II: History, Memory, Politics
This course will discuss major issues in post-war German cinema, including
questions of representations of the National Socialist past and the Holocaust;
the political role of film; developments in German documentary film; and
conceptions of feminist cinema. The course will be taught in English with
a section taught in German for majors and others wishing to do work in the
German language.Pavsek, C
TTh 2:30-4
B23101
Cultural Profiles of Modern Exile
Seyhan, A.
MW 2:00-4:30
B30501
German Drama
Meyer, I.
M 2:00-4:30
H22301
Benjamin and the Culture of Modernity
Devenney, C.
MW 12:30-2:00
H399