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Eng 277b |
R. Mohan |
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TTH 1 - 2:30 |
HU III |
This course will focus on writings by women from the South Asian sub-continent and its diaspora. Working from an expanded definition of writing as the attempt to draw new maps of reality, we will look at fiction, poetry, political manifestos, theoretical discussions, socio-historical accounts, and films by South Asian women. We will examine the ways these writings intervene in and energize postcolonial culture in South Asia and beyond by forging an aesthetic and political practice that involves a radical critique of gender arrangements. In particular, we will explore the ways writers use narrative traditions such as folklore, memoir, and autobiography to give voice to their unique historical, cultural, and political perspectives. We will also trace the play of irony, parody, and mimicry as writers figure the ambivalence of their position as women, especially around issues of modernity, sexuality, religion, nation, and development. Click here for the website for this course: http://www.haverford.edu/engl/engl277b/engl277b.html
Texts will be selected from the following list:
Alexander, Meena, ed. Truth Tales: Contemporary Stories by Women in India
Antherjanam, Lalithambika. Cast Me Out if You Will
Desai, Anita. Clear Light of Day
Desai, Kiran. Hullabaloo in the Guava Orchard
Divakaruni, Chitra. The Mistress of Spices
Kumar, Radha. The History of Doing
Markandaya, Kamala. Nectar in a Sieve
Mehta, Gita. Karma Cola: Marketing the Mystic East
Namjoshi, Suniti. Feminist Fables
Roy, Arundhathi. God of Small Things
Shiva, Vandana. Staying Alive: Women, Ecology, and Development
Sidhwa, Bapsi. Cracking India
Suleri, Sara. Meatless Days
Short fiction and poetry by Jean Arasanayagam, Ismat Chugtai, Mahasweta Devi, Yasmine Gooneratne, Anees Jung, and Ginu Kamani
Films by Gurinder Chadha, Laleen Jayamanne, Indu Krishnan, and Deepa Mehta
Course Requirements: Mid-term and final examinations; one short paper (5-7 pages) and a research paper (10-12 pages).
Enrollment limited to 30