Exhibits: Upcoming Exhibits & Events
All Receptions, Exhibits, and Related Programs are free and open to the public
The Cantor Fitzgerald and Humanities Center Galleries will be closed June, July, and August.
Beautiful Human
Cantor Fitzgerald Gallery, Haverford College
Friday, September 11 - Friday, October 9, 2009
Opening Reception: Friday, September 11, from 5:30 - 7:30 p.m. in the Gallery.
(from left to right) Donald E. Camp, "Man Who Hears Music / Andre Raphael Smith", Joshua Mosley, "Commute", Laura Graham, "Forrest".
About the Exhibit:
Humans, both as observers and subjects, are the focus of the multi-media exhibit "Beautiful Human." Curated exclusively for Haverford by Philadelphia artist and educator Shelley Spector, founder and director of Spector Gallery/Projects, the exhibit presents unique explorations of human life by six Philadelphia-based artists: Donald E. Camp, Matthew Fisher, Laura Graham, Rob Matthews, Joshua Mosley, and James Mundie. "Through individual portrayal of real and fictional people," says Spector, "the six artists present bodies of work that explore history, time, truth, love, faith, identity, desire, lineage, mortality and honor."
An artists' panel discussion moderated by Robert Cozzolino, curator at the Pennsylvania Academy of Fine Arts, will be held Tuesday, September 22, at 4:30 p.m. in the Sharpless Auditorium of the Koshland Integrated Natural Sciences Center (KINSC).
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Imaginative Feats Literally Presented / Three Fables for Projection: Guarded, Flat Land, Lost by Jeanne C. Finley + John Muse
Cantor Fitzgerald Gallery, Haverford College
Friday, October 23 - Friday, December 11, 2009
Opening Reception: Friday, October 23, from 5:30 - 7:30 p.m. in the Gallery.
Gallery Talk: Saturday, October 24, 4:00 p.m. Moderated by Andrew Suggs, Executive Director, Vox Populi Gallery.
About the Exhibit:
In three video works, Guarded, Flat Land, and Lost, Finley + Muse explore the visual culture of America's many contemporary wars. These works peer through the imaginative gloss of words, photographs, and video images Americans use to prepare themselves for the wars on terror and Iraq, presenting the lives of those who participate—either willingly or not.
